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O romanu Ivana Lovrenovića Nestali u stoljeću

Author(s): Adisa Bašić,Ahmed Burić,Boris Pavelić,Davor Beganović,Elvedin Nezirović,Enver Kazaz,Ivica Đikić,Josip Mlakić,Ljiljana Tadić,Roberta Nikšić,Strahimir Primorac,Tihomir Brajović,Željko Ivanković,Petar Gudelj / Language(s): Bosnian,Croatian,Serbian Issue: 85/2015

Adisa Bašić: O mitskoj zemlji habita i hobita Amed Burić: Ivanovo djetinjstvo Boris Pavelić: Rekvijem ocu u stoljeću pakla Davor Beganović: Razmišljanje, meditacija, empatija Elvedin Nezirović: Nestali u stoljeću Ivana Lovrenovića Enver Kazaz: Poetika bola Ivica Đikić: Prigušeno pisanje o boli Josip Mlakić: Nestala stoljeća i “nestali” u stoljeću Lidija Tadić-Adžamić: Dijalektika poližanrovskog dijaloga i institucionaliziranost malih priča u literaturi Ivana Lovrenovića Roberta Nikšić: Nepotkupljiv svjedok istine Strahimir Primorac: Stranac u svome svijetu Tihomit Brajović: Lična arheologija i godine koje su pojeli ratovi Željko Ivanković: Identitarni omnibus Petar Gudelj: Ivan

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OBITELJSKI ROMAN U HRVATSKOJ DJEČJOJ KNJIŽEVNOSTI DEVEDESETIH GODINA PROŠLOGA STOLJEĆA

Author(s): Sanja Vrcić Mataija / Language(s): Croatian Issue: 13/2015

Considering the position of the dominant narrative figure within the Croatian children's realistic novel of the nineties of the last century it is possible to define type of the family novel that belongs to social-psychological fiction. Narrative pattern of the family children's novel implies a story of the family atmosphere in which adult characters appear alongside with children's characters equal to them at the narrative level, portraying the adult and children's characters and a way of building their identity in a family community of different types. Children's characters create their personality strongly influenced by family relationships and characters of their parents and relatives, modeling their activity on them as well as adopting gender standardized roles. The traditional and contemporary family relationships could be recognized according the prevailing world view on the selected corpus of the novel. Unlike the traditional family, which includes parents and children, strong family, mostly male authority, more liberal attitude of the weaker parental authority prevails in the majority of contemporary families. It is possible to identify several forms of a family novel: family novel with a picture of the traditional patriarchal family, family novel with a picture of contemporary patriarchal family and family novel with a picture of contemporary liberal family.

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Tkači Citata

Author(s): Adam Walko / Language(s): Croatian Issue: 1/2015

Besides urbanism, intermediality is another common characteristic where the continuity of the Croatian short story of the eighties and nineties can be found. Usually these two characteristics are interwoven; intermedial strategies often create a subtext of urbanism. The adaptations from the newspapers, movies, television, hyper- and cybertext confirm the thesis about the absolute pluralism and the incomplete convention of the prose text, and the lack of the final form as well. The method of quotations, especially the use of intermedial quotations, is probably the most characteristic and visible feature in the Croatian short story of the eighties and nineties. This feature gains in importance if we take into consideration that in the Hungarian short story there is a traditional emphasis on intertextuality. The revolutionary changes in the Gutenberg-galaxy refer to the redefinition of the role of the literary text, the reader and the author. With the phenomenon of computer-technology and the Internet, unlimited possibilities have opened up in the theory and realisation of the evolution/ development of the short story.

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Bancbanus – ungarisch, österreichisch, kroatisch

Author(s): Marijan Bobinac / Language(s): German Issue: 24/2015

This article presents three dramatics adaptations of the same historic material: the medieval Hungarian aristocrat Bánk (ger. Bancbanus, cro. Benko Bot) appears as the hero in historical plays by the Hungarian author József Katona, German-Austrian Franz Grillparzer and Croatian Franjo Marković. Although these three authors differ greatly in their aesthetic and political positions, they nevertheless share a joint goal: to prompt reflection on the joint (super)national state design against the backdrop of nation building in the Danube Monarchy and the related strengthening of centripetal tendencies.

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Bruno i Benn, czyli pokrewieństwo po tamtej stronie śmierci

Author(s): Damir Šodan / Language(s): Polish Issue: 5/2015

When one compares the lots of two great European authors of the first half of the 20thcentury – the German poet Gottfried Benn (1886–1956) and the Polish-Jewish fiction writer Bruno Schulz (1892–1942) – at first sight their lives seem quite different and incomparable. Still, it is enough to reach under the surface of the so-called historical facts to realize that in some respects the two writers are indeed close to each other. Asregards politics and history, a common denominator of their biographies was Nazism as an emanation of pure evil from provincial East-Central Europe, and its belief that human nature may be improved which the historical process makes it possible to develop great geopolitical systems, even at the cost of suspending all ethical principles. A starting point for that daemonic parochial activism is mostly the “provincial spirit of utopia” or,to be precise, its irresistible “realistic nihilism,” to borrow a term coined by the Serbian philosopher Radomir Konstantinovic.

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За стилистичните фигури и контактните синоними в три житийни текста за св. Екатерина на народен хърватски език от XIV–XVII в.

Author(s): Simeon Stefanov / Language(s): Bulgarian Issue: 100/2015

The paper presents stylistic ﬁgures and contact synonyms in three hagiographic texts about St. Katherine, written in Croatian vernacular. With contact synonyms every single example of the excerpted material is commented separately, by its own, with a view to its phonetic peculiarities, with which it participates in a rhythmic isosyllabic structure. On the ground of the excerpted material, the author tries to make general conclusions about regularities in the choice of lexis, which to be put in contact synonym phrase, for every single text.

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Spiritualizirani komunizam: komentar uz Krležinu reviziju kršćanske ortodoksije (od Legende /1914. i 1933./ prema Chestertonu)

Author(s): Leo Rafolt / Language(s): Croatian Issue: 09+12/2016

Prva Krležina tiskom objavljena drama, Legenda, ujedno je i prvi njegov objavljeni književni tekst. Kao drama u nastavcima, izlazila je u Književnim novostima Milana Marjanovića, u prva četiri broja 1914, i sam ju je autor namjeravao objaviti u sklopu »biblijskog ciklusa« u knjizi pod naslovom Legenda. No, tu će dramu Krleža ipak premjestiti u nedovršeni ciklus o gigantskim ličnostima europske povijesti, Isusu, Kolumbu, Michelangelu, Kantu i Goyi, da bi je, naposljetku, 1933. otisnuo u izmijenjenoj verziji u knjizi drama, ponovno pod naslovom Legende, no s posve drugim izborom dramskih tekstova.

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Fra Matija Divković – perom za Boga i narod

Author(s): Fra Zdenko Frljić / Language(s): Croatian Issue: 1+2/2016

Skromni bosanski redovnik fra Matija Divković uputio se prije više od četiristo godina tiskati u Veneciji (Mlecima) djela Nauk krstjanski za narod slovinski (1611), poznat kao veliki nauk, te mali Nauk krstjanski smnozijemi stvari duhovnijemi i vele bogoljubnijemi (1616), koji će na katolike u Bosni ostaviti neizbrisiv duhovni trag. Njegova biografija za razliku od djela ipak nam ostaje nepoznata, imamo tek slabe podatke. Franjevci i njihovi samostani u tadašnjoj su Bosni kao dijelu Osmanskoga Carstva bili veza sa zapadnoeuropskom kulturom. Pismenost je bila oskudna i puk nije poznavao latinicu koja je smatrana učenim pismom. Teška životna egzistencija i politička marginaliziranost ponukale su fra Matiju da u svom dušobrižničkom radu priredi novi oblik katekizma poslije Tridentskoga sabora (1545-1563) i približi njegov vjerski sadržaj svome puku. Time je želio svoj puk ohrabriti u vjeri, ali nigdje nije pozvao na mržnju prema turskom okupatoru. Dok su na zapadu bjesnile svađe i vjerski ratovi između katolika i protestanata, u Bosni su kršćani proživljavali drukčiju svakodnevicu. Divkovićeva djela oblikuju identitet i pučku pobožnost katoličkoga naroda, koji je s fratrima imao nadu u bolje sutra.

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Lehnprägungen nach italienischen Vorbildern in der Sprache der Dramen der kroatischen Renaissance

Author(s): István Vig / Language(s): German Issue: 1-3/2003

Following К. Schumann’s classification, the paper establishes 8 of the 23 possible types of loan translations and semantic loans in the Renaissance Croatian drama. At the same time, two new types of calquing are also identified: “Lehngebrauch der Rektionen von Verben und Substantiven“ and “syntaktische Lehngebrauch der Rektionen der Lehnwörter“. In using loan translations or semantic loans the authors’ individual choice is for the lexical types, while in terms of syntactic loans the widespread and generally accepted forms are preferred.

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Pogled na ilirizam 170 godina poslije

Author(s): Branka Tafra / Language(s): Croatian Issue: 2/2005

Ilirizam je u prvom redu ideologija, panslavizam u malome, koji je zahvatio Hrvatsku 30-ih godina 19. st. i koji je bio pokretač općega narodnoga preporoda. On se nadograđuje na ideju o slavenskoj uzajamnosti koja se na hrvatskim prostorima javlja još od protureformacije, a koja je u 19. st. dosta proširena u slavenskom svijetu. Dok su se njome u prošlosti zanosili pojedinci, sada je ona ugrađena u kulturni program hrvatskih mladih intelektualaca koji su se školovali u europskim gradovima i koji su bili nadahnuti romantičarskim pokretom koji je zahvatio Europu. Zašto se preporod javlja pod ilirskim, a ne pod hrvatskim imenom?

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ODKAZ PRĚSLAVSKÉ ŠKOLY V CHORVATSKOCÍRKEVNĚSLOVANSKÝCH LITURGICKÝCH PAMÁTKÁCH

Author(s): Petra Stankovska / Language(s): Czech Issue: 12/2012

This article is devoted to analysis of the text of John's Gospel which is present in the Croatian Glagolitic Missals and Breviaries created before the 15th century. Research has shown that these liturgical books contain one of the early versions of Old Slavonic translation of the Gospel, which in some Croatian sources was again fixed after Latin originals or subjected to linguistic Croatization. The Gospel text of the Croatian Breviaries and Missals which has not been subjected to a secondary correction often coincides with the Preslav edition of the Gospel. This is the result of a comparison between these Glagolitic sources and a critical edition of the Church Slavonic Gospel of John, prepared by a team of researchers led by A. Alexeev. Cases of coincidence between the Croatian texts and the more recent Cyrillic editions are very rare and not entirely convincing which excludes the possibility of later changes in the Glagolitic sources after Cyrillic copies. That Preslav edition of John's Gospel has been used in the preparation of Croatian liturgical books where it later developed independently within the framework of its own textological tradition.

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Bjelovarski književni i kulturni prostor (1991. - 2000.) - pjesnički rukopis ratnog i poratnog pisma

Author(s): Ilija Pejić / Language(s): Croatian Issue: 8/2014

In the first part, this study offers a reconstruction of the cultural life of Bjelovar and its surroundings – the Bjelovar literary and cultural circle (Bjelovar, Čazma, Đurđevac, Daruvar, Garešnica, Grubišno Polje) – by presenting portraits of writers, painters, musicians and educators; as well as by exhibitions, concerts, the work of associations and institutions; and a review of the publishing activity (newspapers, magazines, journals, books, monographs, etc.). The war havoc and the transitional deconstruction of the symbolic city capital (heritage, space) caused by globalisation are the two key elements that have formed not only wartime writings, but also the context in (the connection with) which they were created. The second part of the study is a presentation of wartime (1991–1995) and postwar (1996–2000) poetic writings in the Bjelovar literary and cultural circle, incorporated in poems and lyrical writings by numerous authors (V. Bažant, Ž. Sabol, K. Kovrlija, B. Kreštan, S. Frajtić, M. Mađerić, V. Vargović, I. Pejić, B. Jelušić, B. Delić, A. Perše Deškin, M. Vidović, K. Blaha, A. S. Prević, K. Prević, Z. Satrapa, L. Erl Luketa, D. Horvat Zácskai, M. Borovac, etc.). It forms a tribute to a better comprehension of Croatian wartime writings. The emphasis has been put on poetry – the poem and its structure as a humanistic analysis of the indifferent world, the understanding of the meaning of suffering and victim, self-perception and the perception of the other party – the enemy, with strong belief in the good and the victory thereof, as well as on the analysis of heritage and its endurance when facing the forces of destruction (wounded city, wounded land, etc.). The need for the as authentic as possible witnessing of the “severe reality”, wartime events, and memory in general determined the frequency of the genre of autobiographical/memoir literature, and the stylistic specificity of wartime writing as a pronouncedly documentary, factual/descriptive (stating the date and venue of the text), and in tone and directness similar to folk story telling – equally in prose, dramatic, and lyrical texts.

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Prirodna katastrofa kao kulturna trauma: poetika i politika emocija u prikazima dubrovačkog potresa 1667. godine

Author(s): Ivana Brković / Language(s): Croatian Issue: 2/2023

The great earthquake of 1667 is considered in modern historiography as one of the key events in the history of the Republic of Dubrovnik, which had multiple social, economic and political consequences. This natural disaster is the subject of several literary texts, written by authors, some of whom were themselves victims and/or witnesses of the tragedy. Four shorter occasional poems (by N. Bunić, P. Kanavelić, B. Bettera, M. Bunić) were created as an immediate reaction to the disaster, already in 1667, while the epyllion Feniče (Phoenix) by Nikolica Bunić and the historical epic Dubrovnik ponovljen (Dubrovnik Restored) by Jaketa Palmotić as well as two poems in Latin were written after the biggest crisis had passed. Approaching these texts from the perspective of the theory of cultural trauma, the paper deals with the representation of emotions associated with the (post)traumatic social process of community renewal. The paper points out that emotional scenarios in the works of writers from Dubrovnik evoke typical representations of natural disasters in early modern Europe. The analysis considers specific emotional politics of trauma and the emotional strategies through which the observed texts functioned as a social medium for processing collective/cultural trauma.

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O prijevodima Vesne Parun (Analiza prijevoda zbirke „Poezija” Penje Peneva)

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O prijevodima Vesne Parun (Analiza prijevoda zbirke „Poezija” Penje Peneva)

Author(s): Ana Vasung / Language(s): Croatian Issue: 31/2023

The paper contains a translatological analysis of Vesna Parun’s translation of Penjo Penev’s Poetry collection. Eleven poems from the collection are presented in the analysis, and the classification of translation strategies and procedures is based on Andrew Chesterman’s translation strategy theory from 1997. After examining the translations, it is evident that Vesna Parun strove to preserve rhyme and rhythm; to achieve this, she regularly employed the technique of changing or removing tropes (usually repetitions), which ultimately resulted in compensation and poetization of individual songs. Furthermore, there is a noticeable tendency towards foreignness, as demonstrated by the retention of those lexemes that share similar expressions in both languages despite the fact that their meanings are not completely identical.

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Idealizam u poeziji Vesne Parun i Blage Dimitrove

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Idealizam u poeziji Vesne Parun i Blage Dimitrove

Author(s): Marijana Bijelić / Language(s): Croatian Issue: 31/2023

The paper provides a comparative analysis of selected poems by Vesna Parun and Blaga Dimitrova, Croatian and Bulgarian poets, respectively, from the same period and with somewhat similar and somewhat different poetics; hence, the analysis is comparative and contrastive at the same time. The main focus of the analysis is the uncompromising idealism, the insistence on the absolute, dealing with the negativity, and openness to the unending work of desire as the main characteristics of their lyrical subject. Their idealism is usually articulated by traditional symbols such as stars, birds and the idealised topos of childhood and nature, with love as their obsessive theme. Such constellation is the basis for ecstatic projections and the tragic decomposition of lyrical subjects. Ecstatic projections are related to self-transcendence through love and the idealistic self-identification with nature. The uncompromising tragic self-destruction is what the subject chooses so as to preserve the ideal from entropy.

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And There Were the Plitvice Lakes. The Landscapes of the Croatian Lake District in the Romantic Journey Put na Plitvice

Author(s): Krystyna Pieniążek-Marković / Language(s): English Issue: 25/2023

Put na Plitvice (The Road to Plitvice, 1860) is the first of the travelogue in Croatian language describing an expedition to the Croatian Lake District. The work of art is of significant “world-creating” and “culture-creating” value, introducing the Plitvice Lakes into the Croatian national text and into the national landscape, hence the biblical allusion in the title. It will therefore be a world-creating narrative, of bringing into existence and therefore giving a symbolic dimension of the work of art.I focus on the landscape-painting aspects of the text, understanding landscape as the manner of constructing and formulating the world, as a way of perceiving and incorporating it into cultural traditions. It is therefore rough, monumental, wild like a traversed space, which should be included in the category of picturesque and sublimity. Veber’s representation of nature illustrates how it was seen at the time within the framework of the national-revival programmes.

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Tekst, czas a przestrzeń – kontinuum relacji. Obraz Zagrzebia i Dubrownika w Księdze podróży Ewliji Czelebiego, Cyklopie Ranka Marinkovicia i sadze Pieśń lodu i ognia George’a R.R. Martina

Author(s): Armina Kapusta / Language(s): Polish Issue: 23/2023

Space, like forms of expression, undergoes constant transformations. One may wonder about their relationships, since both space shapes the text, and text influences the perception of space as well as helps to read and understand its palimpsest, hidden elements. The article addresses the issue of time as read and written in the landscape and urban space. Using literary examples from different periods, it analyzes the presentation of Zagreb and Dubrovnik. It also seeks to point out the differences between the real and literary landscape to discover the topographical objects commemorated in texts in the contemporary urban space. The author wonders whether literature can be a burden for the semiotic landscape. Can it influence the perception of space in such a way that one does not want to see other dimensions of the landscape than those preserved in the texts?

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DER PARATEXT IM SAMMELWERK DER LITERATIN VESNA PARUN „BUBNJEVI UMJESTO SRCA“ (AUFWIEGELUNGEN/HETZEN ANSTELLE VON HERZEN)

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DER PARATEXT IM SAMMELWERK DER LITERATIN VESNA PARUN „BUBNJEVI UMJESTO SRCA“ (AUFWIEGELUNGEN/HETZEN ANSTELLE VON HERZEN)

Author(s): Mirko Ćurić / Language(s): German Issue: 3/2024

Vesna Parun is an author with a strong awareness of the importance of paratext, which includes, among others, the title, cover, author’s name, epigraphs, annotations, dedications, reviews, interviews, prefaces, afterwords, different types of notes... This paper is an introduction to studying the role of paratext in her poetry book “Bubnjevi umjesto srca” (DHK, Zagreb 2003). In this work, the research focused on the titles of poems and chapters in the collection, notes, comments and epigraphs. It is proven that Vesna Parun is an author who systematically uses the pragmatic functions of the paratext, which forms an inseparable whole with the body of the text.

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Miroslav Krleža na pozornicama kazališta u Splitu (U povodu 130. obljetnice i otvorenja zgrade splitskoga kazališta i rođenja književnika Miroslava Krleže)

Author(s): Siniša Vuković / Language(s): Croatian Issue: 01+06/2024

Oholi splitski provincijski mandrilizam nikad nije bio ni izbliza prispodobiv decentnoj zagrebačkoj salonskoj agramerštini, ali je mentalitet Splićana — valj da podsvjesno, možda refleksno? — oduvijek bio sklon otvorenosti usmjerenoj naprama onim demijurzima koji, bilo kulturološki bilo ideološki, nisu pripadali kvalitativnoj skali ovdašnjih menzurâ što su mjerile stupanj identiteta ili zavičajne osviještenosti. Ta se delikatna odlika iz područja opće splićanistike, ponajprije i sasvim eklatantno, najsnažnije očitovala na polju kazališne umjetnosti.

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„Druga ojczyzna” w języku serbskim i chorwackim

Author(s): Delan Ajdaczyć / Language(s): Polish Issue: 36/2024

W związku z coraz częstszą wymuszoną lub dobrowolną zmianą miejsca zamieszkania, różne nazwy kraju, wybranego przez migranta jako miejsce pracy i zamieszkania, pojawiają się także w językach słowiańskich. W porównaniu do leksykalnie bardzo licznych i różnie motywowanych określeń osoby przemieszczającej się i osiedlającej w innym kraju, liczba leksemów oznaczających „nową ojczyznę” jest mniejsza, zasługuje jednak na uwagę językoznawców i socjologów zajmujących się powszechną migracją ludności. W artykule analizowane są nazwy „drugiej ojczyzny” w językach serbskim i chorwackim, a przykłady użycia tych nazw są poddawane profilowaniu etnolingwistycznemu zgodnie z metodą etnolingwistyczną rozwiniętą w lubelskiej szkole Jerzego Bartmińskiego. Ważną rolę w profilowaniu analizowanych nazw odgrywają aspekty ewaluacyjne.

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