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Hrvatska srednjovjekovna književno-jezična tradicija i Divkovićevi stihovi

Author(s): Amir Kapetanović / Language(s): Croatian Publication Year: 0

In this article, we deal with the poetry of M. Divković, which was published in Nauk krstjanski (1616). Divković’s poetry is closely related to the Croatian mediaeval literary and linguistic heritage, because Divković adapted many texts from the earlier Croatian literature into the Bosnian enviroment: it is possible to fi nd exact or approximate sources. Divković’s sources of mediaeval texts originated from the South-Čakavian area (from Zadar to Split), which was literary less active than the North-Čakavian area in the Middle Age. The Cyrillic orthography in Divković’s poetry was heavily infl uenced by the Latin script, and the language of mediaeval Čakavian texts was adapted to the Štokavian literary language by Divković.

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Divković u kontekstu suvremenog mu teatra

Author(s): Dževad Karahasan / Language(s): Bosnian Publication Year: 0

“Život svete Katarine” Matije Divkovića je crkveno prikazanje. Vjerujem da taj tekst nije moguće žanrovski preciznije odrediti, ma koliko čovjeku od teatra “crkveno prikazanje” bilo nedovoljna i gotovo neupotrebljiva odredba. Divkovićev tekst se naprosto ne može bez ostatka klasificirati ni u jednu od formi tradicionalnog kršćanskog teatra, jer ima jasno izražena obilježja različitih žanrova.

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Matija Divković u njemačkom kulturnom i jezičnom prostoru

Author(s): Vesela Tutavac / Language(s): Croatian Publication Year: 0

O tome da li je didaktična proza uopće književnost Umberto Eco u svojoj knjizi Umjetnost i ljepota u srednjem vijeku1 podsjeća na neodvojivost estetske vrijednosti umjetničkog djela od njegove praktične i za ljudsko biće korisne namjene u srednjovjekovnoj književnosti i u umjetnosti općenito.

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Teološki sadržaj i značenje Nauka krstjanskoga

Author(s): Luka Markešić / Language(s): Croatian Publication Year: 0

Nauk krstjanski fra Matije Divkovića je kao katekizam Katoličke crkve teološko djelo par exellence po svom vanjskom modelu i unutarnjem sadržaju. Teologija se zato u prikazu toga djela služi prije svega metodom koja poštuje teološke izvore Božje objave, vjere Crkve i crkvenog učiteljstva. U ovom prikazu želim pokazati u tri dije la: 1. Narav i ulogu Nauka krstjanskog; 2. Teološki uvod Nauka krstjanskog; 3. Aktualnost Nauka krstjanskog. Budući da sam prvi dio obradio prije, kojemu nemam ništa novog dodati ili oduzeti, donosim ovdje nekoliko izvadaka u cjelini.1 Druga dva dijela su novine koje pokazuju posebnu vrijednost i aktualnost Nauka krstjanskog u Divkovićevom cjelovitom teološkom djelu.

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Etnokultura i usmena književnost Hrvata u jajačkom kraju

Author(s): Marko Dragić / Language(s): Croatian Publication Year: 0

Rad je nastao u koautorstvu prof. dr. Marka Dragića i Katice Lozić Radielović koja je pod mentorstvom prof. Dragića napisala i obranila diplomski rad. Rad je komponiran od deset poglavlja i petnaestak potpoglavlja u kojima se obrađuju: božićni, korizmeni, svadbeni običaji, kao i običaji pri porodu, smrti, gradnji domova; posleničkim običajima te usmeno-književnim oblicima koji su ih pratili. Svi zapisi u radu snimljeni su izvorno na terenu te kao takvi imaju višestruk značaj: etnološki, antropološki, filološki, teološki i dr. Navedeni i interpretirani primjeri zorno svjedoče bogatstvo i raznovrsnost hrvatske narodne kulture i usmene književnosti u jajačkom kraju. Svi ti običaji i primjeri usmene književnosti imaju životnu i estetsku funkciju. U tim se običajima zrcali trinaeststoljetni život Hrvata u Jajcu. Zahvaljujući bogatoj duhovnoj baštini Hrvati su kroz minula stoljeća patnji, progona i stradanja sačuvali svoj vjerski i nacionalni identitet. Stoga je prvorazredan civilizacijski čin snimati narodne običaje i usmenu književnost. To je opći trend u naprednom svijetu.

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Matija Divković i likovna kultura franjevaca Bosne Srebrene oko 1600.

Author(s): Sanja Cvetnić / Language(s): Croatian Publication Year: 0

Matija Divković and his publisher, Pietro Maria Bertano, ornated the publications of the large Christian Study and One-hundred Miracles (1611), his Sermons and the small Christian Study (1616) with prints (Bertano’s study was situated near the Venetian church “Saint Maria Formosa”). Among the selected illustrations, the iconography of the Resurrection dominates, but there are also scenes of Annunciation, Baptism, Transfiguration, Descent of the Holy Spirit,Crucifixion, and Christ Preaching to the Apostles. The iconography of scenes in Divković’s books is not particularly marked by the post-tridentine spirit,but it shows quotations from the paintings from the most celebrated period of Venetian painting, Cinquecento (16th century). Along with the quotations,the prints in Divković’s books are connected to this school and its tradition.It is worth noting that around 1600 a wealthy merchant from Bosna Srebrena commissioned for his native village an altar painting from Baldassare d’Anna,a painter inscribed to the confraternity of painters (Fraglia pittorica) in Venice.Therefore, at the end of the 16th century. and in the first decades of the 17th century, it is possible to connect the visual culture of the Franciscans of Bosna Srebrena to artistic trends in Venice, without which Franciscan artistic heritage cannot be understood.

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Divkovićeva kristologija u Besjedama

Author(s): Mile Babić / Language(s): Croatian Publication Year: 0

Im kommen den Jahr 2017 begehen Christen den 500. Jahres tag der Reformation,die mit Martin Luther im Jahr 1517 begann. Sowohl Luthers Reformation als auch die katholische Reformation, die Gegenreformation genannt wird, sind nach meinem Urteil – die eine wie die andere – mehr Gegenreformation als Reformation, das heißt, dass sie mehr ausgerichtet sind wie eine gegen eine andere, als dass sie ausgerichtet sind auf die ursprüngliche evangelische Form des Lebens: auf die vita apostolica et evangelica (das Leben Jesu und seiner Jünger).

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Kalendar u izdanjima Nauka krstjanskog Matije Divkovića

Author(s): Lejla Nakaš / Language(s): Croatian Publication Year: 0

The Large Christian Study (1611) and those in the different editions of his small Study, and compares them to the calendars from the period preceeding Divković’s first publication. Divković’s relationship to the calendars in the Croatian-Glagolitic Codex Copitar 22 (14th c. or beginning of 15thc.), in the first printed Croatian-Glagolitic Missal (1483), in the Bosnian manuscript from the Palatina Library in Parma (middle of 15th c.), in the Dubrovnik Cyrillic prayer book (1512), and the one of his contemporary Bandulavić, will be discussed with regard to exploring mentionings of local and regional saints.

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Leksičke osobitosti Divkovićevih Besjeda

Author(s): Ivo Pranjković / Language(s): Croatian Publication Year: 0

Divković’s lexis, which is markedly multi-layered and varied in origin in his work Divković’s Sermons on Sunday’s Gospel for Every Year, is analyzed in the attachment. Words of the so-called common people’s language,of Croatian-Glagolitic religious literature, of Dalmatian-Dubrovnik literature,and of Church Slavonic and Turkish origin, etc., are distinguished and concrete examples are analyzed. Special attention is given to words that are used in the modern language but have different meanings. Lastly, diminutives,contact synonyms, loanwords and Divković’s neologisms (including hapaxes) are discussed.

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Usporedba jezično-stilskih obilježja Divkovićevih Besjeda s ponekim obilježjima djela srednjovjekovne hrvatske književnosti

Author(s): Martina Kramarić / Language(s): Croatian Publication Year: 0

In this work stylistic and expressive features, textual structures and some linguistic features of medieval Croatian literature are compared with the text of The Sermons of fra Matija Divković (1616). In addition, Divković’s models borrowed from local Croatian literature are analyzed. Noted similarities and differences regarding the style of medieval literature, the structure of a text, and the textual cohesion of the medieval texts are presented.Similarities are observed between Medieval Croatian literature and the early Renaissance literature of Dubrovnik and Dalmatia.

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Sekundarna jotacija – zanimljivo, ali rješivo pitanje izdavačke prakse Divkovićevih djela (na primjeru Besjeda)

Author(s): Vuk-Tadija Barbarić / Language(s): Croatian Publication Year: 0

As the author of this paper had an active role in the recently published transcription of Divković’s Sermons and scholarly studies about this work, the author has come into contact with interesting questions regarding the potential realization of secondary iotation in Matija Divković’s literary works.To be more precise, the main question is whether it was publication practice to note potential secondary iotation as palatals /ļ/ and /ń/ or as non-fused sequences /l/ + /j/ and /n/ + /j/. The authors and editors of Divković’s Sermons have until now for the most part engaged in the practice of noting separate sequences, but the reasons behind such an approach have not been expounded on in literature. There are two possible and probable objections to differentiating non-fused sequences from palatals in publication practices.The first possible objection is that it is unclear which pronunciation lies behind the graphemes, and the second is that a non-fused pronunciation did not exist in Divković’s time, in other words that it is not accurate to distinguish between non-fused and fused pronunciations.

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Inovativna grafematička rješenja u Divkovićevim tiskanim izdanjima

Author(s): Irena Damian / Language(s): Croatian Publication Year: 0

Aus der Analyse der gedruckten Ausgaben von Matija Divković sowie des Gebetsbuchs von Dubrovnik ging die Feststellung hervor, dass im Laufevon hundert Jahren in Anlehnung insbesondere an graphematische und graphetische Beziehungen in der lateinischen Schrift, in das eigens der breiten Masse geltende, wirkungsvolle Schreiben und Lesen der westkyrillischen Schrift, eingedrungen wurde. Besondere Hervorhebung jedoch giltder Übernahme des auß ergewöhnlichsten glagolitisch–kyrillischen Usus,nämlich die des đerv. Divković verzichtete während seiner Suche nach einereffektiveren Druckschrift weiterhin auf zahlreiche aus den älteren kroatischen,aber auch bosnischen Texten des 15. Jh. bekannten Buch staben,d.h. solche ohne eine erkennbare graphematische Funktion, bspw. jat, jery,iž, sowie auf Vokale mit dem prothetischen j. Damit distanzierte er sichgänzlich von den restlichen kyrillischen Schreib traditionen. Mit seinem graphischen Verfahren beeinfl usste er gleichzeitig auch die kroatische Lateinschrift,in dem die dort oft vorkommenden ungarischen und die italienischen Vorbilder beseitigt wurden.

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Ars praedicandi – umijeće propovijedanja i tradicija žanra u Divkovićevim Besjedama

Author(s): Sanja Perić Gavrančić / Language(s): Croatian Publication Year: 0

Christian sermons, which were first attested as a literary genre in the late12th century, were one of the most dominant literary forms during the High and the Late Middle Ages. The theologists and preachers of the period developed a particular form of preaching known as the scholastic or the matic sermon. The structure of these sermons was based on the principles of Mediaeval preaching theory (known as ars praedicandi), which covered a series of rhetorical strategies described in numerous Mediaeval handbooks under the generic name artes praedicandi. The prototype for these handbooks was De arte praedicatoria, compiled by Alain de Lille in 1199. The authors of the aforementioned manuals found the theoretical background for their preaching postulates in a treatise of Saint Aurelius Augustine(354–430) entitled De doctrina Christiana, which was considered the starting point of Christian rhetoric. Mediaeval preaching manuals paved the way for the written preaching practice of Divković’s European predecessors in compiling books of sermons (Johannes Herolt, Guillaume Pepin,Saint Vincent Ferrer and Bernardino de Bustis). Our analysis of Divković’s text shows that his Sermons were influenced by Augustine’s treatise and modelled after the Latin templates of his predecessors. By translating and adapting Latin sermons into Croatian, Divković adopted the main features of the genre and confirmed the affiliation of his Sermons to European homiletic prose in all key elements.

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Divkovićevi Abramovi Verši

Author(s): Krešimir Šimić / Language(s): Croatian Publication Year: 0

The first part of this paper deals with the possible manuscripts that Divković used for writing Abarmovi verši (‘Abarm’s Verses’). After recapitulating previous studies, it is concluded that Divković used one unknown or maybe two known manuscripts. In the second part, after considering two theological topoi (mandatum–promissio and sola fide) that were prevalent in the dramatizations of biblical texts, the paper emphasises that Divković chose his dramatization based on the topos of sola fide. Later on the paper points out that such a choice is unexpected because it is characteristic of Protestant dramatizations, which advocate “justification by faith”, while Roman Catholic dramatizations advocate “justification by works”.

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Slatkost nebeske slave u predaji i egzemplu iz Besjeda ili Divkovićeva predodžba raja

Author(s): Antonija Zaradija Kiš / Language(s): Croatian Publication Year: 0

Within the framework of oral (folk) literature and through the lense of literary-animalistic research, exemple, or moral anecdotes, have a special place. This short literary form, whose point of departure should be analyzed through European oral literature, is a key element of the sermon. In animalistic example the subject matter consists of animals that reflect various human characteristics and also act as a means for explaining abstract ideas such as time, transience, beauty, paradise. In this paper we focus on the popular example How Sweet are the Songs of Heaven (Kako su slatke piesni nebeske), the title given by fra Matija Divković in his Sermons (Besjede).

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Živjeti krstjanski pod turskim gospodstvom. Osmansko Carstvo u djelima bosanskih franjevaca 18. stoljeća

Author(s): Vjeran Kursar / Language(s): Croatian Publication Year: 0

The eighteenth century was the golden age of Bosnian Franciscan chronicles.The most famous among them are the chronicles of the monastery of Fojnica, written by Fr. Nikola Lašvanin, the chronicle of the monastery of Kraljeva Sutjeska, written by Fr. Bono Benić, and the chronicle of the monastery of Kreševo, written by Fr. Marijan Bogdanović. Another work of historiographic character, “A Survey of Antiquities of the Bosnian Province”,penned by Fr. Filip Lastrić, should be added to the group as well. Possible reasons for the blossoming of the chronicle genre might be found in global trends, such as increased literacy, the emergence of the Catholic revival, that is, the post-Tridentine Church reform, and the process of confessionalisation, which necessitated affirming and protecting minority identity threatened by assimilation within a dramatic framework of war and its aftermath, turmoil and instability. The key bearers of the Catholic reform in Bosnia were the Franciscans, the only members of the Catholic Church who had official status and the right to work in areas under Ottoman rule.

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Dijalog franjevačkih ljetopisa sa suvremenom bosanskohercegovačkom i hrvatskom književnošću

Author(s): Ena Begović-Sokolija / Language(s): Croatian Publication Year: 0

With the aid of intertextuality and cultural-memory theory, this paperan alyses connections between the chronicles of eighteenth-century Bosnian Franciscans and current (20th and 21th centuries) Bosnian-Herzegovinan and Croatian literature (e.g. the artistic prose of Ivo Andrić, Miljenko Jergović ,Josip Mlakić, Ivan Lovrenović, Feđa Šehović, Dževad Karahasan). The paper shows that the Franciscans are particular ‘sites of memory’(Pierre Nora) within Bosnian and Croatian literature, that current literary production gives new meanings to the Franciscan literary tradition in a new framework, and lastly it suggests possible models for and draws conclusions about quoted dialogue.

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Latinska slovnica Filipa Kunića u odnosu na hrvatsko gramatičko nazivlje

Author(s): Željka Brlobaš / Language(s): Croatian Publication Year: 0

This analysis concentrates on the work Slovnica jezika latinskoga ilirski iztumačenaza porabu mladeži bosanske (‘A Latin Grammar Translated into Illyrian to Be Used by Young Bosnians’; Vienna, 1857) by Filip Kunić, a Bosnian Franciscan, who adapted a Croatian edition of the Latin grammar Institutiones Grammaticae (first edition 1807–1809) by József Grigely.Because this grammar describes Latin, the analysis considers not only the structure of the book’s content, but also its Croatian grammatical terminology(covering phonology, morphology, and syntax), and definitions of grammatical terms. A comparative view of this grammar in relation to several other Latin grammars – those by Antun Mažuranić (1839) and Adolfo Veber Tkalčević (1853) – is included. Kunić used these grammars, in addition to the one by Stjepan Marijanović, as direct model s for his edition.

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Između Italije, Dalmacije i Bosne. Kantuali fra Petra Kneževića (Sinj i Visovac 1767/1768) u povodu 250. obljetnice nastanka

Author(s): Hana Breko Kustura / Language(s): Croatian Publication Year: 0

This article presents comparative research on books of chant copied by fra Petar Knežević (1701–1768). They are known as Kyriali and are today kept in the Franciscan monasteries in Sinj and on the island of Visovac.Two books of chant were copied in Sinj in 1767 and are sources for cantusfractus in Dalmatia. Both manuscripts by fra Knežević are dedicated to the Holy Virigin Mary, venerated in Sinj, and known as Čudotvorna Gospa Sinjska (Miraculous Virgin Mary of Sinj). The main purpose of this new research is to compare the chant features from Knežević’s Kyriale with similar phenomena known as canto fratto italiano or cantus fractus, which have been present in the Italian Franciscan repertoire from the seventeenth century onwards.

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Koncepcijske smjernice pri izradi fonta za hrvatsku ćirilicu po uzoru na Divkovićev tisak

Author(s): Nenad Hančić-Matejić,Mateo Žagar / Language(s): Croatian Publication Year: 0

This paper focuses on the the concept behind and dilemmas (palaeographical and typographical) faced by the author, Nenad Hančić-Matejić, in creating a font (named ‘Arvatica. Fra Divković’) on the basis of the graphemes in Matija Divković’s printed editions for Bosnian/Croatian Cyrillic script.The main purpose for creating a font for the Bosn ian/Croatian minuscule variant of the Cyrillic script was to provide a standard font for transmitting original texts and to be able to write contemporary Croatian texts in this script. Cyrillic prints, in particular from this minuscule tradition – which Matija Divković had developed in full, mostly on the model of writing from books from Dubrovnik – were selected for the creation of this computer font. At the same time, the long Bosnian and Herzegovinan tradition of writing with this Slavonic script was taken into account. The creation of this font is of high importance for analyzing literature in Cyrillic within the framework Croatian literary history.

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