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Ruhsatî’nin Şiirlerinde Metinlerarasi Bağlamda Halk Hikâyeleri

Author(s): Kadriye Türkan / Language(s): Turkish Issue: 74/2013

No texts can be evaluated without the impact from the previous ones. Every text is relevant to the others directly or indirectly. Artists, writers and poets are affected by the other works consciously or unconsciously and they work them from the different points of view. In this way, they give the opportunity of intertextuality and give the opportunity of pleasure to the readers who have a certain knowledge. Intertextuality that is occured in the 20th century takes place in all the branches of arts, especially in literature and popular culture. Oral culture with its infinite materials has always affected the written culture. One of the fields we observe the intertextuality is the folk literature. Because the folk poems are the part of it, we should study the folk poems from the point of intertextuality. Rusatî the most distinguished representative of the 19th century folk poems, has poems over 400. He tells a lot of elements such as “love, nature, homesick, advice, satire, complaint, mysticism” in these poem. While he is working these components, he considers these elements from the point of intertextuality. Love is the main theme in Ruhsatî’s poems. While he is working these themes, he often mentions the famous folk storys in “love” is the main theme such as “Kerem and Aslı, Ferhat and Şirin, Leyla and Mecnun, Arzu and Kamber, Yusuf and Züleyha.” This is the indicator of “a text in a text” concretely from the point of intertextuality. “Allusion” is a term that is seen especially in poems. It makes a reference indirectly to famous people, folk stories, legends, verses of the Koran and hadiths. In the text, the poems of Aşık Ruhsatî will be evaluated from the point of intertextuality in which allusion is the based.

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Kriminoloji Teorileri İle Beyoğlu Rapsodisi’ne Dokunuş

Author(s): Murat Cem Demir / Language(s): Turkish Issue: 74/2013

This study analyses the book named “Beyoğlu Rapsodisi” of Ahmet Ümit, who is one of the successful Contemporary Turkish Literature in the light of main assumptions of three theories of criminology. Here a literary critique is not made nor does it criticize the book. The aim is to examine the rich content of the book in the light of theories and to create a reference to theories. As a matter of the fact that assuming what was underlined in the text as the representation of the field and explaining with theories somehow identifying the real with literary construct. This process that contains problems is tried to be enlightened under the light of the “social disorder” and “anomy” and the concepts of the Developmental Criminology so as the events in the book are explained with these theories. Of these theories the first is called social disorder. This theory accepts the city as an ecosystem and explains the social pattern of the city with Darwin’s notion of “wild life”. Migration, poverty, marginalization and crime are the phenomena of the city. Neighborhood of Beyoğlu and the life going on there are tried to be explained with the conceptual sets of this approach. And our second theory is that of the developmental criminology. This theory asserts that there is a sessional relationship between the life practice of a culprit and the moment of taking part in crime. This claimed relationship between life variable and crime and the types of crime is adapted to the novel to try to understand the life sequence of a murderer. Lastly, I make use of the theory of anomy to explain crime and deviation. The theory of anomy tries to understand that how as a result of prevention, tension and oppression individuals lean toward crime and deviation to achieve a goal

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Karşilaştirmali Edebiyatta Metinlerarasiliğin Yeri Ve Murathan Mungan’in ‘Dumrul İle Azrail’ Hikâyesine Metinlerarasi Bir Yaklaşim

Author(s): Medine Sivri,Selin Özkan / Language(s): Turkish Issue: 74/2013

Comparative literature is a science which compares the literary studies of different nations or the texts of the same nation in many ways like period, space, volume, subject, action-interaction, imagology, translation, mythology, reception, stylistic, etc.. The aim of this science is to look at its own literature in terms of quality and quantity to enrich it with the cultures of other nations, promote and disseminate its culture and literature to the other nations.While the texts are being written, they interact with the texts which were written before them and they carry their traces. A subject, a character, a sentence, which was written in the old text, can appear with a new meaning and new review in a new text. In this study,‘Dumrul ile Azrail’, a story in the book called ‘Yedi Kapılı Kırk Oda’ of Murathan Mungan, who is one of the postmodernist author of Turkish literature, will be examined with the method of intertextuality in the point of existence problem and in this context; the meaning and function of comparative literature will be studied. The reason of choosing Murathan Mungan’s story as a study work is author’s giving a place in his book to a story called ‘Dumrul ile Azrail’ which was rewritten for many times but this time with his new interpretation and point of view. Beside, the existence problem and its reason that the author wants to show to his readers will be tried to enlighten with the help of intertextual relationships set up by Mungan. Murathan Mungan, uses all the possibilities of postmodern novel, shows how to enrich literary texts as he gives a place to other authors’ texts in his story like all postmodernist novelists do. In this study; the richness and the new meaning of old text will be tried to find out in Murathan Mungan’s story with the help of method of intertextuality.

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Fikret Demirağ’in Şiirlerinde Yinelemeler

Author(s): Hatice Kayhan / Language(s): Turkish Issue: 74/2013

Poetry encompasses a significant part of literary works in TRNC. The history of the Island has experienced many different kinds of changes and challenges from past to present, which has been an inspiration resource for the literary men and artists. Fikret Demirağ, as one of the most famous poets of the TRNC has always attempted to reflect these experiences in his poems. The quality of language in poetry is very important. Thus, in order to perceive and understand the language of poetry we should be aware of its language. Stylistics is the study of the language of literary texts and has many devices to analyze the language of poetry. Repetitions are numerous in Fikret Demirağ’s poetry, as one of the distinguished poets in TRNC. The study uses scanning technique to determine the kinds of repetitions in Demirağ’s peoms. This study uses Unsanl Ozunlu’s repetition categorization written in his book titled The Language of Literature. Fikret Demirağ, who formed his first poems under the influence of the second new poetry movement which affected a major community of poets in Turkey and who had remarkable progress then in creating his own poetics, began to bring forth products in the sphere of Mediterranean sensitivities starting from 1980s. Repetitions in Fikret Demirağ’s poetry encourage the reader to read the poems with enthusiasm and excitement. The stylistic devices enrich his poetry. The poet has used many stylistic devices which make his text valuable to be studied.

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D’ebüzziya Tevfik: Mémoires Ou Récit Historique? Yeni Osmanlılar Tarihi (Histoire Des Jeunes Ottomans)

Author(s): Banu Öztürk / Language(s): French Issue: 74/2013

The work of Ebüzziya Tevfik titled “New Ottomans” describing the period of 11 years includes the members, purposes and activities of New Ottomans Community founded in 1865 as well as the social, political, cultural and literal incidents of stated period, the individuals involved in these incidents and memoirs of the author during his exile. In the chapters describing the historical background of New Ottomans, Ebüzziya Tevfik stands as narrator instead of involving in the story, since he failed to witness the foundation phase of New Ottomans Association, nor the lives on exile within Europe. The author builds up his story through what he heard, learned and read – as the text has clues regarding these cases. However, the most interesting issue is the author’s effort to add him to the incidents while telling about “him/her” or “them”. This, in one sense, refers to the examination of following case: Where does history start or end, besides, where does my life start and end? Briefly, shall my life and my history be separated? If so, how can I be able to maintain this? In here, the close relations of author with history and historians reveal. Both the authors of memoirs and historians shape their subjects by the past. However, the methods they applied during forming their works and their concerns on establishing their works are different. It is possible to present these differences by following the text of Ebüzziya Tevfik. By this way, we tried to answer the following question in this essay: Did Ebüzziya Tevfik write the history of New Ottomans and/or his personal background in respect of his witnesses, impressions and observations?

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Selim İleri’nin Romanciliği Ve Türk Romanciliğindaki Yeri

Author(s): Nesrin Mengi / Language(s): Turkish Issue: 71/2012

Selim İleri is one of the most important writers of contemporary Turkish literature. He stand out with his life, thought world and art comprehension in addition to novels that he brought to our literature starting in the 1970s. He has turned into fictional world small bourgeois person’s individual journey in his novels uniquely and in terms of narration techniques also became an important representative of modern Turkish literature. Selim İleri, narrate subconscious of his novel characters and thereby approaches to modernistic novel. While novelist handles problems of society, he expresses psychology of individuals by using novel techniques like interior monologue, stream of consciousness and flashback. Selim İleri chooses his novel characters from urban nation. Novel characters are foregn to society. Selim İleri wrote intellectual individuals story in his first term. In other words he narates small bourgeois. Latter term, change in his novel writing, he narrates individuals from literature, art and culture history who are real persons. After investigations on method and content of author’s novel in the previous chapter, characteristic features of his novels are extracted. Also novel concept of Selim İleri who is one of modern authors of Turkish literature and his position in Turkish literature is evaluated. While we were determining contents and form properties of Selim İleri here, we aimed to report characteristics that make author so different with holistic approach and underline his modernist attitude in Turkish novel writing.

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Auratik Hirsizin Tarihsel Sermayesi -Cingöz Recai Serileri Üzerinde Bir Çoklu Uyum Analizi Uygulaması-

Author(s): Seval Şahin / Language(s): Turkish Issue: 68/2011

In this article, Cingöz Recai crime fiction series, published between 1924-1960 by Peyami Safa under the penname Server Bedi, are examined through Pierre Bourdieu’s concept of capital and habitus along with Franco Moretti’s approach to literary genre. In this study, it is benefited from Multiple Correspondence Analysis which Bourdieu used to study the education system, academic and literary field in France and thanks to it, how Cingöz and foreigners are positioned and what kind of relations there were between their positions and the ideology of the period are questioned. In addition to this, it is made a point of how the history exchanged a historical capital in the novelistic space through Walter Benjamin’s concept of auratic object.

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Oğuz Atay’in Yarattiği Tutunamayanlar Tipinin Evrensel Genleri (Tutunamayanlar’ın Rus Edebiyatındaki Gereksiz İnsan ve Küçük İnsan Tipleriyle Akrabalıkları)

Author(s): Birsen Karaca / Language(s): Turkish Issue: 67/2011

The objective of this study is to withdraw attention upon the universal gens of losers types created by Oguz Atay: The primary characteristics of losers in Turkish literature were determined and the relationships with the non – essential and minute human types were stressed out particularly from Russian Literature, afterwards. In the part of conclusion, it was assessed and commented that each one of the literal texts should be considered as an intersection representing both a distinction and a integration in the interaction in literatures.

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Cahit Sitki Taranci’nin ‘Ölüm I - Ii İle Otuz Beş Yaş’ Şiirleri’nin Göstergebilimsel Çözümlemesi

Author(s): Selma Elyildirim,Ayten Er / Language(s): Turkish Issue: 67/2011

The well-known poet Cahit Sıtkı Tarancı’s ‘Ölüm I’ – ‘II’ and the Poem of “Otuz Beş Yaş” are investigated by using semiotic analysis. The aim of the study is to show that the rich semantic universe of poems can be discovered through semiotics which focuses on the deep structure as well as the surface structure of literary works. In the first two poems of these three poems in which the theme is based on death, the poet sees death as a solution to escape from the situation he is in but in the Poem of ‘Otuz Beş Yaş’, emphasising death as the inevitable end for all human beings, the line between life and death is presented with all its nudity through word games describing the changes observed in humans when getting old.

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Bati Rönesansinda Rabelais, Türkçe Yazinda Köy Enstitülüler

Author(s): Alper Akçam / Language(s): Turkish Issue: 67/2011

Rabelais’s novel is the most important mile stones of the European Renaissance. Rabelais opened a new door into the field of literature. Cervantes, Shakespeare and Goethe passed from this door and a great conversion and transformation period into the historical process started in Europe which intend to shake the world as the re-emergence area. According to Mihail Bahtin who has detailed studies on Renaissance, the basic feature of this conversion is Rabelais’s multi sign system originating from humour of grotesk folk culture. This system transfered to literary world and improved against language and perception system which has only one declarative language and based on fear. The foundation of Turkish Republic is defined as a cultural revolution by a lot of thinkers. After the Turkish Republic, one of the most important conversions in new Turkish cultural enviroment is the elements of grotesk folk culture which were transfered by authors graduated from village institute slightingly. There are some important parallels and identities between Rabelais’s novel and the works of authors graduated from village institute. Rabelais’s novel was not understood by Enlightement Movement and Romanticism which was born as reaction against Enlightement Movement and tried to trivialized. The works belonging to authors graduated from village institute vilified with “Village Novel” label and was excluded from cultural pradigma. This case generates a similar tableau between Rabelais’s novel and the works of authors graduated from village institute.

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Yazınsal Çeviride Biçem Aktarımı Sorunu

Author(s): Ayalp Talun İnce / Language(s): Turkish Issue: 66/2011

In this study, the German translation of Orhan Pamuk’s novel titled “Beyaz Kale” has been examined through Nord’s functional translation theory. In this paper, by determining the components of the functional text, attempts have been made to illustrate a text analysis before translation and attract attention to the functional elements required in a translation. In the analysis and translation of the texts based on the theory of functionality, after the designation of the functional constituents used in the text in question, attempts have been made to comment on their roles in the text. The process of interpretation, is, in a way, the indication of a cognitive process realised by every translator in the course of translation. Subsequently, studies and researches must be accomplished to enrich existing data and all the while, textual data both inside and outside the text must be broadened. This point of view has also been adopted by P. Kussmaul (1994), who has worked on creativity and cognitive processes in the translation. Correspondingly, another way to be used is to scan for elements unnoticed before through repetitive reading. Only after the completion of these drafts under discussion is it possible to scan and reveal the related textual elements. The textual constituents examined under the title of functionality components are the expressions, mainly functions of message, which the author tries to charge to the text in source language, used in a way by the author to address readers. These are expressed by the formula known as Lasswell-Equation in the science of translation. The next step is to determine whether the elements scanned and revealed in the source text have been taken into consideration or not by means of their examination in the target text. If they are taken into consideration in the translation, the functions that the elements bear, their significance for the text and to what extent it has been reflected in the text have been studied. In cases of no observed functional coherence, suggestions about how the function can be explicitly shown in the target language text have been made. Efforts have been made to put forward proposals for solution even when there is not a functional element in the translation at all. This paper has no direct criticism purpose, but it is an attempt to suggest another method concerning the fact that functionality must be taken into consideration in the translation of literary texts.

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Gülsüm Cengiz’in Şiirlerinde Mitlerin İzi

Author(s): Medine Sivri / Language(s): Turkish Issue: 66/2011

Ancient myths have been one of the biggest sources for arts and literature through the ages. Myths which mirror creation, universe and the human condition have been rewritten in stories, novels, plays, poetry and cinema again and again. As the products of the collective unconscious myths are the leading means of human kind for their search of meaning. This study aims to trace myths in poetry of Gülsüm Cengiz (her poetry books are Eylül Deyişleri, Mayısta Üzgün Gönlüm, Akdeniz’in Rengi Mavi, Sevdamız Çiçeklenir Zulada), who is a poet and children’s literature writer. Throughout the study archetypal criticism will be used for analyzing Cengiz’s usage of myths.

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Romandan Tiyatroya Aşk-I Memnû

Author(s): Seval Şahin / Language(s): Turkish Issue: 64/2010

Aşk-ı Memnû, which is written in 1900, is one of the Turkish classics and an example of the first contemporary works of Turkish Literature, as well. There are not so much characters in this novel. Aşk-ı Memnû is a novel on the relationships among family members, one woman whose life is shaped by opposing to her parents genetics and the other women who is depressive because of sharing her father with another women. Tarık Günersel adapted Aşk-ı Memnû in 2000 and this adaptation is quite different from the novel. In this article has been pointed out Aşk-ı Memnû’s adventure from novel to theatre.

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Kına Türküleri Üzerine

Author(s): Halil Altay Göde / Language(s): Turkish Issue: 64/2010

In this work, our aim is to give examples of hen night songs belonging to our region. Hen night is a women’s get-together for fun held at bride’s home one day before the bride is on her way in many parts of Anatolia. It is a kind of farewell to mother’s home. It is of great importance culturally with its practices and sanctions. To give a few examples; its being the last day of bride at her own home, the bride’s last fun with her single friends, the tradition of bride’s and others’ putting on henna, helping the bride to overcome her sadness before leaving mother’s home, providing the bride with information about how to behave at husband’s home.

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Elif Şafak’in Siyah Süt Adli Romaninda Alkarisi/Albasmasi İnanişi

Author(s): Tülin Arseven / Language(s): Turkish Issue: 63/2010

As a distinguished author of modern Turkish Literature Elif Şafak, pays attentions to a period of her special life in Siyah Süt (Black Milk) novel. Elif Şafak as an intellectual woman deals with the motherhood and confinement situation in the novel which is worst to emphasize. Brought a number of problems due to confinement is very important period in the confine of woman and her family. Confinement has led to various beliefs in the life of Anatolian people. So this study deals with the belief of alkarısı/albasması in the Siyah Süt novel.

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Halikarnas Balikçisi Ve Ahilik

Author(s): Derya Kılıçkaya / Language(s): Turkish Issue: 63/2010

In this article it is mentioned Ahilik based on Halikarnas Balikcisi’s books. Halikarnas Balikcisi has referred to Ahilik in his books; but they haven’t been analyzed academically in terms of Ahilik until now. With this study his books are handled and analyzed academically for the first time.

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Murathan Mungan’in Yüksek Topuklar Romaninda Kadin Kimliği

Author(s): Beyhan Kanter / Language(s): Turkish Issue: 63/2010

Murathan Mungan, in his novel named Yüksek Topuklar, served the position of the woman identity in the social structure along with woman’s inner world. In the novel, an effort to explain other women by the central character who have felt social gender phenomenon dated from her childhood is seen. Character, on the other hand reaches her own awareness during this process. In this study, we will consider the construction of woman identities in the Yüksek Topuklar novel at length over the central character, Nermin.

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Aticilik Sporunda Bir Osmanli Sultaninin Performansini Dönemin Şiirinden Okumak: Tarih Manzumelerine Göre II. Mahmud’un Ok Ve Tüfek Aticiliği

Author(s): Özge Öztekin / Language(s): Turkish Issue: 63/2010

Mahmut II is also successful in archery and shooting along with his ruler identity. This could also be learnt -albeit partial- from poetry world of that time. History poems in collected poems of some poets such as Enderunlu Vâsıf, Keçecizâde İzzet Molla and Lady Leyla offer poetic materials on Mahmut II’s shooting.

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Göze Mil Çekme Motifinin Köroğlu Destanina Yansiyiş Şekli

Author(s): Esra Öner / Language(s): Turkish Issue: 63/2010

Epics, as the beginning forms of the world literature, have tremendous effects on people’s lives and their values. The Epic of Koroglu is one of the most important and distinguished epic poem in Turkish literature and this research reveal “mil çekme” (to blind somebody with a hot iron) as a way of penalty and it has consequences throughout the whole epic poem. “Mil çekme” incident made Rovsen, the epic hero, full of revenge and this incident itself is the remarkable subject matter and the trigger of the story. Blinding the granddad’s eyes with a hot iron is actually the cause of how Rovsen became the epic hero and also Kırat, another important figure in the epic appeared.

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Benlikten Kaçişin Öyküsü: Abdullah Efendi’nin Rüyalari

Author(s): Tülin Arseven / Language(s): Turkish Issue: 61/2010

Ahmet Hamdi Tanpınar is one of the distinguished author of modern Turkish Literature. Very precious poets, novels and stories were won to Turkish Literature by Ahmet Hamdi Tanpınar. One of his important stories is Abdullah Efendi’nin Rüyaları. In this study Abdullah Efendi’nin Rüyaları will be analysed content.

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