Polskie ekwiwalenty przekładowe chorwackiego przyimka usprkos

Author(s): Sybilla Daković / Language(s): Polish Publication Year: 0

The article is an analysis of Polish translation equivalents of the Croatian preposition usprkos. Based on the corpus of contemporary Croatian literature and its Polish translations, we conclude that this preposition can be translated as: mimo (in spite of, despite), wbrew (against), na przekór (in spite of, despite), pomimo (in spite of, despite), niezależnie od (regardless of), za cenę (at the cost of). The basic translation equivalent na przekór (in spite of, despite) has been determined through frequency analysis and semantic feature analysis.

Polskie formy adresatywne w rosyjskich przekładach filmowych

Author(s): Anna Paszkowska-Wilk / Language(s): Polish Publication Year: 0

The article discusses the difficulties in translating Polish forms of address in film dialogues based on the Russian translation of the series „Tajemnica twierdzy szyfrów” (The Secret of Code Fortress) (2007). Forms of address perform a significant role in linguistic communication. In film dialogues, they additionally carry information about relations between the characters, their position, and rank. In the process of film translation, forms of address are frequently omitted to shorten the translation due to technical requirements of captions or a voice-over. The analysis of the material shows that as a result of such processes, the recipient of translation is deprived of information which is indispensable for the true interpretation of the film.

Pripadnost bošnjačke književnosti u kontekstu egzila našeg vremena

Author(s): Srebren Dizdar / Language(s): Bosnian Publication Year: 0

Although the composite structure of literature in Bosnia and Herzegovina had developed under rather specific social, cultural and historical circumstances, only, and on rare occasions in the past, some authors from these parts wrtote their works in exile (Habiba Rizvanbegović-Stočević, Arif-beg Rizvanbegović), but the separation from a homeland was the topic that some of its prominent writers from all its constituent segments came back to from time to time (Šantić, Andrić, Šop, La Bohoreta, etc.). It was only during the horrible war events towards the end of 20th century, which had forced not only hundreds of thousands of people to leave their native soil, but also inspired diverse forms of literary activities to emerge in exile. Their fundamental defining element was the attempt of securing and preserving ethnic, cultural and any other form of identity in the new surroundings. The paper tries to find some answers to the basic question posed in relation to a determination of literature in/and from Bosnia and Herzegovina, more specifically in view of its Bosniak component, which has been expresed in the published collections of poetry and short stories, rarely in plays, and in the majority of cases, in novel forms – from Norway, Denmark and USA, as well as some other parts of contemporary world. It points out to the situation in the immediate neighbourhood, nowadays largely referred to as the ‘region’, where some authors have continued to write their works, although they remained deeply connected to the language, culture, custioms and identity of the ethnic background they had come from, despite the fact that, in the meantime, they became citizens of the countries of admission. They all have continued to add a characteristic exile expression to the literary output in these new homelands. A rather specific issue deals with the concurrent belonging to literatures those Bosniak authors contributed to with their works, irrespective if their books had been published originally in the languages of these places, or in their mother Bosnian tongue. The works of Bekim Sejranović, Alen Mešković and Ismet Prcić have been analysed in the paper, together with some other names, as the possible examples of either proving or disapproving the initial hypothesis on the identity duality in the Bosniak or any other literature(s) for that matter.

„Metamorfozy” Owidiusza w przekładzie Stanisława Schneidra

Author(s): Dariusz Rott / Language(s): Polish Publication Year: 0

The article presents the figure of an esteemed classical philologist, historian of literature, translator and teacher at the secondary schools in Przemyśl and Lvov, Stanisław Schneider (1858–1917). His translatorial debut consisted of “excerpts from ancient poets.” He translated Homer, Horace, Ovid and Vergil. The collected works were then published in „The Report of the Headmaster of the Imperial‑Royal Secondary School in Przemyśl for the School Year 1888”. It was the third full translation of Ovid’s „Metamorphoses” into Polish (after the 17th‑century translations by Jakub Żebrowski and Walerian Otwinowski). Moreover, the article contains excerpts from Schneider’s translation of Ovid’s „Metamorphoses”.

Abstracts

Author(s): / Language(s): English Publication Year: 0

Rezumate

Author(s): / Language(s): Romanian Publication Year: 0

Szerzőink

Author(s): / Language(s): Hungarian Publication Year: 0

Le rôle du traducteur dans l'esthétique de la réception. Sauvetage de l’étrangeté et / ou consentement à la perte

Author(s): Georgiana Lungu-Badea / Language(s): French Publication Year: 0

The author's primary aim in this article is to evoke Jauss’ aesthetics of reception in order to (re)situate the translator in what she calls the aesthetics of translation reception adjusted by the translator. To this purpose, Georgiana Lungu-Badea tries to distinguish direct reception (of the receptor-translator and the source-reader) from “indirect” reception (of the target-reader). From the perspective of various dichotomies, three- and four-parts classifications, the author identifies four types of entropic agreements – determined, more or less, by linguistic hospitality or by the desire to translate. These agreements inevitably influence the aesthetics (of betrayal/fidelity) of the translated work. In order to illustrate the essential role played by the translator in the process of reception, the aesthetic differences are illustrated by mentioning a number of Romanian translations.

Slobodni diktat u nastavi hrvatskoga jezika u srednjim strukovnim školama

Author(s): Josip Miletić / Language(s): Croatian Publication Year: 0

Free dictation still remains a neglected type of dictation in Croatian schools, although researchers of methodics pointed to its useful use in teaching the Croatian language back in the 1960s. Based on the results of a field research, this paper will show the possibility of a convenient use of free dictation exercises in teaching Croatian in secondary vocational schools related to the sectors of economy, trade and business administration (economist, business secretary, administrative referent, commercialist). The exercises were performed by reproducing the tone record. The results of the research point to the multiple usefulness of free dictation exercises in teaching Croatian in secondary schools in the economy, trade and business administration sector. It is suitable for correlation with the contents of a number of vocational subjects (Office Automation, Communication Technique, Computer Dactylography, Modern Communication in Economy, Administrative Procedure, Office Business and Correspondence, Secretarial Correspondence, Computer Dactylography with Office Practice). Additionally, it develops practical skills important to experts from this sector in carrying out their everyday activities and tasks, while due to the interdisciplinary and multimedia approach, it is also interesting to students, thus enabling a motivational effect.

ON STRATEGIES FOR TRANSLATION OF CULTURE-SPECIFIC ITEMS

Author(s): Micaela Ţaulean / Language(s): English Publication Year: 0

Every language bearer is a rotten culture, so the lingual expression in communication is an expression of national culture. Language serves culture, but it does not determine it. For translators, representing the stereotype of a nation for another culture is an extremely difficult task. The author focuses on the problems that arise during the translation of cultural specific elements (CIS) from English into Romanian or Russian. The aim of this study is to describe the different areas of cultural knowledge that contribute to the competence of the translator.

Remarques sur le concept de culturème

Author(s): Georgiana Lungu-Badea / Language(s): French Publication Year: 0

The purpose of this article is to give further details about the concept of cultureme (the culture-bound term or phrase), its definition and semantic field. The significance of this term in the theory of the cultureme and in the theory of linguistic transfer, in the sociology of culture and in sociolinguistics offers the opportunity to set the semantic limits of cultureme and to identify its significance in translation studies. The binary opposition cultureme-translation unit, cultureme-connotation, cultureme-neologism etc. is thought to be a powerful tool to elucidate the fundamental characteristic of the cultureme: monoculturality and its relative autonomy of translation. A classification of the culturemes is suggested to facilitate the translation process and to choose the most appropriate method of translation.

Paradoxe ou ironie ? Le développement de l’Orthodoxie dans l’Occident catholique et l’édition des livres de théologie orthodoxe en France

Author(s): Larisa-Elena Alui-Gheorghe / Language(s): French Publication Year: 0

Our paper aims to analyse a more recent and rather paradoxical phenomenon shown in Western Europe i.e. the publication of Christian Orthodox books, written or translated in French from a traditional Orthodox Christian language. And, as an irony, in a profoundly laic and secularized culture, one can notice the development of an Orthodox Christian terminology as a consequence of translating books with Orthodox Christian matter. Another paradoxical aspect for a strongly secularized country that we aim to analyze is the fact that in France there are many important educational establishments and research centres which are representative for the entire Christian Orthodox world: “St. Serge” Orthodox Theological Institute, “St. Genevieve” Centre, “Dumitru Stăniloae” Scientific and Interdisciplinary Research Centre. Is this a paradox or irony of the Providence, of God eliminated from France during the French Revolution?

Tudor Arghezi, traducteur de l’ironie de La Fontaine

Author(s): Oana- Gabriela Ichim / Language(s): French Publication Year: 0

Tudor Arghezi is a great poet who chose to put his talent at the service of translation too. He gave the fables of La Fontaine Romanian variants remarkable for the strength of the story and the humor. He considered the rhyme and the rhythm as very important poetic elements and translated the message of the French poet keeping the aesthetic form of the original. The dialogues of the translations are remarkable for their orality, their richness of images and their perfect adequation to the characters created by La Fontaine. He translated each fable as an entire poem and maintained the networks of meaning and images.

Problématique de la traduction des faits culturels : Cas « original » de traduction du français vers l'arabe

Author(s): Manal Ahmed El Badaoui / Language(s): French Publication Year: 0

The article examines the translation of cultural elements and changes that occur from language to language, from one culture to another. We will study strategies used by authors for translating cultural elements, in the hope of identifying the ideal strategy. In this presentation, we will refer to the cultureme as a unit of cultural information. To illustrate the aspects of cultureme and determine the context and circumstances for choosing an option of translation instead of another, we will examine « La Nuit Sacrée », the novel by Tahar Ben Jelloun, published in 1987, and of the two Arabic translations of this book, done in Egypt in 1988 and in 1993.

Verbum de verbo sive sententia desententia

Author(s): Georgi Kapriev / Language(s): Bulgarian Publication Year: 0

Two translation procedures from the 12th century are the subject of consideration in this critical essay: the way in which Anselm of Havelberg’s debates were translated in Constantinople in 1136 and the reading by Gerhoh of Reichersberg and his followers of the resolutions of the Synod of the Church in Constantinople in 1166. The aim of the analysis is to refute the widely held view that the nature of Latin translations in the 12th century was constantly the execution verbum pro verbo.

Ancheta

Author(s): Hugó Ágoston,Adâm Anavi,Imre József Balázs,Béla Bíró,Mircea Cărtărescu,Péter Demény,Paul Drumaru,Läng Zsolt,Martin Mircea,Carmen Mușat,Anamaria Pop,Ion Pop,Mircea Popa,Júlia Szilágyi,Szabolcs Szonda,Geo Șerban,Júlia Vallasek,Daniel Vighi,András Visky / Language(s): Romanian Publication Year: 0

Investigations by: Âgoston Hugo, Anavi Âdâm, Balâzs Imre-Jôzsef, Biro Béla, Mircea Cărtărescu, Demény Péter, Paul Drumaru, Läng Zsolt, Mircea Martin, Carmen Mușat, Anamaria Pop, Ion Pop, Mircea Popa, Szilâgyi Julia, Szonda Szabolcs, Geo Șerban, Vallasek Jûlia, Daniel Vighi, Visky Andrâs.

Наблюдения върху предаването на безеквивалентна лексика в художествения превод от български език на гръцки език и обратно

Author(s): Velichka Simonova-Grozdeva / Language(s): Bulgarian,German,Greek, Modern (1453-) Publication Year: 0

La transparence et l'opacité de l'acte traduisant

Author(s): Paula Ilaş / Language(s): French Publication Year: 0

We aim to discuss in this article about the link between translation and linguistic stasis, more precisely for the Christian orthodox translations from French into Romanian. This type of linguistic stasis is present mainly in Romanian culture unlike other francophone western cultures. Therefore, the translator anxious to integrate into a tradition of translations of this kind is obliged to respect the lexical and cultural constraints of the language of arrival.

Au seuil de la modernité : Paul Verlaine. Au seuil de deux langues : Dimitrie Anghel et Șt. O. Iosif

Author(s): Oana- Gabriela Ichim / Language(s): French Publication Year: 0

The French poet Paul Verlaine belongs to classicism from the point of view of poetic form and to modernity from the point of view of semantic content. His poems question the created artistic universe, just as modern poetry does. His lines are noticed by order, rigor and symmetry. The poets Dimitrie Anghel and Șt. O. Iosif tried to translate them in such a way that their variant has on the Romanian reader the same effect as the original on the French reader.

Скалигеровият Патерик и двояката трансмисия на църковнославянските текстове

Author(s): William R. Veder / Language(s): English,Bulgarian,Old Slavonic Publication Year: 0

An abridged version of the Slavonic Scaliger Patericon is shown to be copied both from Cyrillic and Glagolitic antigraphs; the same circumstance is observed in the translations of the Scete Patericon and Athanasius of Alexandria’s Homilies Against the Arians. Twofold transmission makes it possible to contrast the features of copying from Glagolitic with those of copying from Cyrillic.